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She’s a spinster. She’s strong. And she’s the best damn lawyer in town. #amreading #romance #western #historical

One Shingle To Hang by DeAnn SmallwoodTODAY’S REVOLVING BOOK is the western historical romance ONE SHINGLE TO HANG by DeANN SMALLWOOD. GET IT ON AMAZON: http://amzn.to/1TAdaio

WHAT IT’S ABOUT: (SCROLL DOWN TO READ AN EXCERPT)

A woman with too much knowledge was at risk for insanity. Their fragile mind couldn’t handle it. That’s what Lil had been told when she went against convention and became an attorney. The 1800s had fewer women lawyers than women doctors. Her pride knew no bounds when she hung her shingle—L.M. Wentfield, Attorney At Law.

Drew was a struggling cattle rancher, building a fledging Hereford empire. He was working toward that goal when he was accused of rustling and faced possible hanging. He needed a lawyer—a good one—a man. Chesterfield had one lawyer—a new one—L.M. Wentfield. He wasn’t prepared for a beautiful blonde with a sharp tongue and fiercely won independence.

Lil had no homemaking abilities. Her love was the law. And if the thoughts of the gray-eyed cowboy, who had the audacity to refuse her legal help stayed in her mind, she’d push them aside. She had nothing to offer a rancher . Even her wealth wouldn’t be considered an asset to a prideful man. And Drew Jackson was proud. So proud, he knew he couldn’t ask a woman of Lil’s stature to share his life—but he wanted to—from the moment he’d stolen that first kiss.

DeANN SMALLWOOD AUTHOR BIO:
I live in Colorado with my husband and my two Yorkie kid dogs: Stormy, four pounds, and Eli, six pounds. I’m a native of Colorado, but I’ve lived several years in Wyoming and Montana. I draw from these beautiful states for most of my books. My Western Historical Romances are: Montana Star, Sapphire Blue, Unconquerable Callie, One Shingle To Hang, and Wyoming Heather and One Shingle To Hang. Tears In The Wind is a contemporary romance. Then I changed genres from my beloved romances and wrote, under the pen name of D. M. Woods, my first suspense/thriller: Death Crosses The Finish Line. The second book in this ‘death’ series, Death Is A Habit, came out January 8, 2014. I am currently working on the third book in the ‘death’ series, Death Walks C Dock. I am also working on another Western Historical Romance, Montana Man. It features the characters readers came to know and love in Montana Star. Truly, I mean it when I say my greatest pleasure next to writing is having my books read and enjoyed. There are many more stories just waiting to be written

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http://www.deannsmallwood.com/

EXCERPT:
Everyone knew Lil Wentfield would never marry. What man would want her? She was too old, too set in her ways, and too damned opinionated. Granted, she was a real beauty, if you could get past all the other flaws. Long blonde hair, equally long legs, sparkling blue eyes, flawless skin, with just a hint of a European ancestor in the coloring. And lips, well to call them kissable would be doing them an injustice.


But spinster she was, with her hair coiled into a tight knot at the nape of her neck, as tight as the expression habitually worn on her lovely face. Wire rimmed glasses perched on her small nose, obscured flashes of emotion in those beautiful eyes. Except when it came to outrage. Then her eyes snapped, her spine stiffened, her chin raised, and she peered disdainfully at the offender.


Lil was like a badger when it came to proving her point and winning an argument. Her mother liked to say Lil was born arguing. What her father liked to say was more colorful and filled with disappointment. His only child compounded being born female, by having a mind of her own. Once Lil made a decision, she planted her feet firmly on the chosen path, and didn’t step off until her goal was accomplished.


Men found her unnerving. Lil Wentfield wouldn’t be any man’s ‘little woman’, her place in the home, serving her husband, and mothering children. She was unsettling; not material necessary for being the calming homemaker and acquiescent wife needed to soothe and support a man as he went about his business.

***

A loud knock broke into her thoughts. “Come in,” she called out.

Nothing happened, then another knock. “Please, come in,” she called again.

Getting no response, Lil came around her desk and, with some irritation at the interruption, jerked open the door, nearly toppling the tall man who held the doorknob on the other side. He muttered something under his breath, and tried to regain his balance only to bump into Lil, throwing her off stride. She stumbled backwards and would have fallen if not for the man’s quick reaction. He grabbed Lil and, wrapping both arms around, pulled her to him. Then, in a parody of the two-step, he danced her to safety.

Lil felt herself falling, then rescued by two strong arms. Not only was she pulled up short, but she was wrapped tightly against a rock hard chest, her nose buried in the man’s damp shirt. A very pleasant smell greeted her nose. The scent of summer rain and witch hazel. She found the masculine odor intoxicating.
Neither moved. Then Lil raised her head and looked into a pair of dancing gray eyes. His arms never relaxed their grip; in fact, they seemed to tighten around her as his mouth twitched, then broke into a smile.

“Didn’t expect to end up with a beautiful woman in my arms. For a moment there, I expected to land on the rug, Ma’am. With you alongside me,” he added with a chuckle.

He loosened his grip and gently pushed her away from the warmth and safety of his chest. Lil stepped back, feeling as though she’d just had something precious taken from her. She realized her hands still gripped his arms. Like a hot potato, she dropped them and turned away from the man’s disturbing presence. Like a fox heading for her den, Lil scurried behind her desk and gratefully lowered her trembling body onto the waiting chair.

With the desk between them, she was once again in charge. “May I help you?” she asked coolly, hoping the tremble in her voice went unnoticed. “I called come in not once but twice.”

“Sorry, Ma’am. Guess I didn’t hear you. I was just fixing to open the door when you did just that. Are you okay?”

“Yes.” Lil answered with no desire to elaborate. “I—I appreciate you catching me. Now,” she hurried away from that topic, “to repeat myself, how may I help you?”

He smiled, as if knowing her thoughts. Walking over to the desk, he removed his hat and stood with it in his hands. “I apologize for dripping on your floor, but it’s raining like hel—, uh, like heck out there.”
Lil tried not to look at how the ends of his eyes crinkled when he smiled. She focused instead on his hair, black and shiny with rain drops glistening on the wavy strands not covered by his hat. She didn’t realize she was staring at him until he shifted from foot to foot.
“Ma’am?”
“Yes,” Lil answered, pulling herself back to reality.
“What I’m here for is to see L.M. Wentfield, Attorney At Law.” He pointed at the window, in the direction of the sign.
Lil nodded. “Yes,” she said again. At this rate, he’d think she only had a one word vocabulary.
The man tilted his head to one side. “Could you direct me to L. M. Wentfield, Ma’am?”
“Of course I can. How may I help you?”
Two small furrows appeared between the man’s eyes. He peered closer at her. Perhaps he needed to try another approach.
“Ma’am, could I speak with your husband?”
“There is no husband,” Lil said with a hint of asperity.

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Filed under American Historical Romance, amreading, Bestselling Authors, COWBOY ROMANCE, DeAnn Smallwood, HISTORICAL FICTION, HISTORICAL ROMANCE, LOVE STORY, ROMANCE AUTHOR, romance authors, romance books, ROMANCE FICTION, ROMANTIC FICTION, WESTERN HISTORICAL ROMANCE, WESTERN ROMANCE, writing

The first time he laid eyes on her he was lost MONTANA ROSE by DeAnn Smallwood #romance #amreading #western

Montana Rose final 600x912Today’s REVOLVING BOOK is the historical western romance MONTANA ROSE by DeANN SMALLWOOD.

GET IT ON AMAZON: http://amzn.to/1URhufW

ABOUT THE STORY: Rose is a rancher at heart. There’s no doubt in her mind that if given another chance, she can make a success of homesteading. She will not fail this time.

People scoff, saying ranching is too much of a job for a lone woman to undertake. But Rose is no ordinary woman. She may be petite, stylish, and beautiful, but she is also strong and driven. Every aspect of ranching brings joy to her heart. Then why is she here in Wise River, Montana, taking orders from a mean-spirited school board and attempting something she has no clue how to do? Teaching?

Jesse Rivers carries his own baggage on his wide shoulders. He’s been called home by a dying stepmother to take over the Rocking R Ranch and the care of a belligerent and wounded brother.

A rugged, lanky cowboy, Jesse is also demanding, surly, and afraid to love. No, he can’t love. What if he has buried inside him the same volatile anger as his father, resulting in brutality by strong fists or a whip?

Then Jesse meets Rose. Strong willed, outspoken, determined, and oh-so-desirable.

CONNECT WITH DEANN SMALLWOOD ONLINE:

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Four Books You Need To Read To Be A Good Writer by Patricia Grasso

Historical Romance author Patricia Grasso has a BA and MA in English and taught high school for thirty years. So when it comes to writing, she knows her stuff. School’s in session. Listen up students!

Remember your junior high school English class? The subject of the sentence is the most important word because it is what or whom you are talking about. The verb is secondary in importance because it says something about the subject. The same rule applies to storytelling. Characterization is the most important element. Plot is the engine that sends your characters on their journey through the story.

51qOCqd5CDL._SX330_BO1,204,203,200_9780805011715_l51ncseVgYzL._SX331_BO1,204,203,200_Lesson #1: Characterization

You should start from the general and go to the specific. THE COMPLETE WRITER’S GUIDE TO HEROES AND HEROINES (Cowden, LaFever, Viders) gives an overview of sixteen archetypes. Once you have a general idea of the type of character you want, the next step is getting specific. Two excellent books are CREATING UNFORGETTABLE CHARACTERS (Linda Seger) and GOAL, MOTIVATION, CONFLICT (Debra Dixon). Seger’s book deals with defining your character, consistencies and paradoxes, creating back story, understanding character psychology, creating character relationships, writing dialogue. Dixon’s book deals with your character’s goal, motivation (the reasons why he/she must reach that goal), and conflict (both internal and external). Obstacles preventing your character reaching his/her goal creates conflict.

51gul6ggGHL._SX312_BO1,204,203,200_Lesson #2: Plot

Plot is the skeleton of the story. Dixon’s book can be used here because characters drive plot. The most helpful book I’ve found on structuring a book is THE SCREENWRITER’S WORKBOOK (Syd Field). Field discusses the story set up, plot points, pinches, climax, and resolution. He uses examples from famous movies.

Lesson #3: Free Advice

  1. Make yourself a master of the technical—grammar, spelling, punctuation. Editors love clean manuscripts, less work for them. Do NOT rely on grammar or spell check. The best computer is your brain. Do not rely on copyeditors. Chances are you know as much or more than they do. YOUR name is on the book, not theirs.
  2. Getting published requires talent, luck, and persistence. You know the old saying: Winners never quit and quitters never win.
  3. Never stop learning your craft.
  4. imagesYou will feel professional jealousy at one time or another. That’s a normal human emotion. Feel it. Let it go. Forget about it. Finish writing your damn book.
  5. Don’t pay too much attention to reviews. You’re never as good as your best review or as bad as your worst review.
  6. Expect setbacks and rejections. Develop a thick skin (easier said than done) because everyone is a critic.
  7. NEVER, NEVER, NEVER google your own name!!!

BEAUTY AND THE EARLPatricia Grasso is the author of eighteen historical romances including the Douglas Series which follows the love stories of the amazing Douglas sisters (Angelica, Samantha and Victoria) in Regency London and the Lords of Stratford Series, Regency historical romances with a fairy-tale twist about the aristocratic families in Stratford-on-Avon. 

OUR DEAL OF THE WEEK is Beauty and the Earl by Patricia Grasso. (Regency Romance)

GET IT FOR .99 CENTS RIGHT HERE AT LACHESIS PUBLISHING. THIS WEEK ONLY.

CLICK HERE TO BUY.

You can also buy it on amazon, kobo, and Barnes and Noble.

Enchanting the Duke by Patricia GrassoPatricia Grasso‘s latest release is Enchanting the Duke. You can purchase it at Lachesis Publishing or on amazon, BN nook, or kobo.

Connect with Patricia Grasso online on her web site and on facebook

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What Inspires Your Writing? by Richard Blackburn (YA paranormal time travel author)

Today’s author guest blog is byDAWN OF THE SENTINEL COVER Lachesis Publishing author Richard Blackburn. Richard has written a three-book YA time travel/adventure series for Lachesis Publishing, called Guardians of the Gate, featuring a university student who travels back to Medieval England only to discover she has some amazing powers she never knew she had. Book 1 is Dawn of the Sentinel. Book 2, Return of the Sentinel, will be out soon.

What induced me to be a writer? I mentioned in my last submission to this blog, that my father was a great story teller. I remember one time I was sitting by the fire with my older brother and sister, listening to a scary story about a Bugane, the big, nasty creature that lives in the caves to the south of the Isle of Man. Nobody has seen one of these beasts and lived to tell the tale, but in winter storms you can hear it moaning as the wind whistles through the caves in the south of the Island. When it was time to go to bed, I was the youngest, so I had to go first. In those days, there were none of the modern light switches that let you switch it on downstairs and off upstairs. It was either on or off, and our family couldn’t afford to leave lights on. So I was the shivering little figure climbing the stairs on my own in the dark. And that’s when I heard the Bugane. It was on the landing above where my room was, shuffling along and muttering as it went. I was a scaredy-cat kid and I knew I was done for, but then I came over all cold. I clenched my fists and thought, uncharacteristically, ‘If I’m gone, I’ll do my best to take you with me.’ So I crept up the rest of the stairs and when the shuffling footsteps were just around the corner to me, I jumped out. ‘Yaaaa’ I shouted but immediately realized it was my grandmother. She was on her way to the bathroom, carrying a full bed pan. Well, I got into trouble for the wee on the wall and the wee on the ceiling, but she didn’t get into trouble for sounding like a Bugane and frightening me. That’s when I decided that if ever wrote stories, it wouldn’t always be the grown-ups who’d win! And it gave me an early insight into the power of story telling.

A few words about my writing: I’d been making up stories for my own children for years and later for my granddaughter. I didn’t consciously decide to become a writer. It was when I was making up yet another yarn that it came to me. I realized that this was the story I’d like to make into a book. The last fiction I had written was in school, forty years ago. I’d worked for the government for a long time and I wondered if this had crushed any writing skills I might have had before. So I took a short course in creative writing and was encouraged by my success. I’d been told never to have family members as beta readers but my daughters are very objective and my wife has never been reluctant to criticize me, so I asked them to read the first couple of chapters. I felt very vulnerable. This was from my heart and I felt if they hooted with laughter, I’d never lay finger on keyboard creatively again. But they were happy to be brutally honest and after I’d explained the meaning of ‘constructive’ criticism, we did well as a team. So, now I had a number of decisions to make. I’d invented the original story for children, but I lifted the age group slightly. The subject matter, then, had to be acceptable to teenagers. I personally don’t like swearing, so I was happy to keep that out of the book. I also know nothing at all about romance, so that was out as well. By this time I realized that these decisions had made the book more acceptable for school libraries. In Australia we have reading competitions in most states, and any book included in the reading list had a distinct advantage for sales. So I included this as part of my decision base for when I was mulling over the direction of the plot. Another decision concerned historical accuracy. My books are set in the first half of the fourteenth century, and things were a lot different then. I could either gloss over facts and concentrate on general description of the action, or put a lot of research into letting my readers see how things actually were. I’d even seen TV programs supposedly about these times, including phrases like, ‘I suppose it’s just not your cup of tea’ and the way Hollywood portrayed Henry VIII was hugely inaccurate. And I’d been around so many castles, I knew that forks were not used in England at that time, that potatoes, tomatoes and green beans hadn’t arrived from South America or pumpkin and turkeys from North America. I found out that the word ‘thug’ couldn’t be used because the Thuggi religion was only discovered in India in the late 1700s and that the Irish sheriff, Mr. Lynch, didn’t hang his own son without a trial until much later than the period I was interested in, thus making the word ‘lynched’ unusable. And, yes, it did take a lot longer to write the story, but I enjoyed the research. So those are a few of the factors I found I had to decide on my way to writing my first book.

And the rewards in writing: Before my first book was published, I was worried. What if people didn’t like it? I’d written a blurb that said how good the story was, but was that false pretenses? If people paid good money for my book and didn’t like it, I’d be devastated. I should have had more faith in my publisher, of course. It wouldn’t have gotten this far if it had been that bad. But I’m a worrier and didn’t think of that. Once my first book had been published, I started using my weekends to do book-signings. I had a vast poster made of the cover picture and on my table I set out my chainmail vest and helmet (my wife won’t trust me with a sword!) and copies of the book. I had a short blurb rehearsed for general enquiries (‘what’s the book about’) and a longer version for people who displayed more specific interest. I didn’t sit down but stood and smiled and said ‘hello’ to thousands of people. And it worked. And because I’d written the book the way I did, with no swearing, romance or sexual content, I’d had it (and eventually all three books) included in the New South Wales Premier’s Reading Challenge for high schools. This was a huge advantage in Australia. It was after the second book was published that I had people coming back for more. I was interviewed on TV and featured in newspapers quite a few times. I visited high schools and gave talks on writing, and this was incredibly rewarding. I was getting back far more than I’d put into it, not money wise (no way!) but in finding that I’d given people such enjoyment.

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What Inspires Your Writing by Lori Lapekes (contemporary romance author)

FOR A SHORT TIME COVEROur guest blogger today is Lachesis Publishing author Lori Lapekes. Lori is the author of the Lachesis contemporary romance called For a Short Time about a young woman who goes through many changes in her life, including realizing whom she truly loves.

Our ongoing topic is What Inspires Your Writing – welcome Lori Lapekes . . .

Hmmm, where do I get my inspiration to write . . .

An inspiration from real life I’m a bit embarrassed to admit came from fictionalizing an old friend in order to, well, “fix” her somehow through much trial and error in the novel to make her a better person. Yet later I was terrified she’d read the novel one day and recognize herself, and I wasn’t sure how she’d take it.

During that time I happened to read the blog of another author, (a very popular author,) whose antagonist in his latest novel was a dragon of a woman who was not only inspired from someone he knew, but patterned directly after her. At a book signing party, he was horrified to see her arrive, book in hand, and march up to him. Certain he’d get a verbal tongue lashing and a threat to sue; he could barely stand to look at her as she stood above him.

Then, she grinned. Sincerely. And said it was a truly fantastic novel, and she particularly liked the witchy woman character . . . she was such a vivid character, where did he ever come up with her?

Hah!

I could imagine, very well, that author’s relief, as well as confusion, I’m sure! And I was no longer afraid that the real person behind the inspiration for my main character in For a Short Time would be toilet-papering my house or keying my car. She never did connect herself with the character in the novel, and even promoted it a bit for me on Facebook. To my relief, just as my character in the novel, she did turn out to be a much kinder, more empathetic woman in real life.

Another inspiration began with disturbing dreams; a recurring dream without an ending. The dreams were near-nightmares from a real life drama, and to have closure, I needed to write it out. That book became the college tear-jerker, The Gingerbread Boy, and its feel good sequel, The Cinnamon Girl.

And yet another time, while standing in line at an estate auction in the country to buy my items and leave, I became aware of a tall young man in front of me with flowing brown hair, wide shoulders over a blue flannelled shirt, and an easy smile. There was just something about this man. Perhaps it was the calm, sunny afternoon in the country blended with what seemed like an ancient wisdom and mystery in the young man’s eyes . . . and I had it. Just like that he became the main character in a novel that had been percolating in my mind for some time, but I’d needed more inspiration for the hero. That novel became Secrets of Catalpa Hall.

I’m now working on a funky new adult novel, something of a switch for me. The inspiration for this came from vividly recalling my own days out of college, and the odd bunch I roomed with. One roomie in particular actually sort of becomes the novel, but I’m certain she’ll never know, that was many moons ago. But I also believe it may be the most fun, whimsical story I’ve ever written, even if it has murder, mayhem . . . and a potential maniac nicknamed “Goggleman” as a main character!

Connect with Lori Lapekes on her web site and on facebook.

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What inspires my writing? by Jessica Penot (paranormal author)

THE ACCIDENTAL WITCH COVERJessica Penot is here today to share what inspires her writing. Jessica is the author of the The Accidental Witch (paranormal with romantic elements) with Lachesis Publishing .

This is what New York Times bestselling author Larissa Ione has to say about The Accidental Witch: “A delightful blend of dark and scary, and fun and snarky, The Accidental Witch was fabulous! Jessica Penot’s writing is so engaging and genuine, it was like hanging out with a good friend. Highly recommended!”

Jessica has also written a horror novel for Lachesis Publishing called Circe. Her books are scary and delve into the world of witchcraft but also the psychology of the human mind.

Here’s Jessica . . .

I was talking  to a sixth grade class a few weeks ago and one of the children asked me this question. This question is always the hardest for me because I find inspiration in everything.  I’m sure the children thought my answer was crazy because sometimes the most insane things inspire me.

One day I had just swept my porch and I wandered outside to get the mail. It was a cool day and my porch was meticulously clean and almost sterile looking. In the middle of the porch, directly in front of the door, I found a perfectly smooth, white stone. I picked up the stone and wrote one of my first horror short stories, The Stone Queen. It was published in Cthulhu Sex Magazine. It has always been little things like that stone that inspire me. A gentle breeze on a hot summer day can whisper of old ghosts. A strangely shaped shadow can inspire untold horrors.

Places often give birth to some of my best stories. The Chateau Larcher in France inspired my recent children’s book, The Monster Hunter’s Manual. Circe was inspired by Searcy State Hospital in Southern Alabama. The Accidental Witch was partly inspired by The Moody Brick in Northern Alabama. Sometimes my work inspires me.  As a counselor, I meet so many amazing people with lives that are rich in tragedy and beauty. Their faces are carefully hidden in many of my books and stories. In the end, it doesn’t take much to inspire me. The world is always amazing to me and every minute is another chance to find something beautiful and worth writing about.

You can buy The Accidental Witch right here at Lachesis Publishing

and on Amazon Kindle and where other books are sold.

Connect with Jessica online on her web site and on facebook and twitter.

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Filed under Best-selling authors, Bestselling Authors, book reviews, PARANORMAL, PARANORMAL ROMANCE, ROMANTIC ELEMENTS, SENSUALITY, SEXUAL CONTENT, SUPERNATURAL, WITCHES, writing, writing craft, writing your book

What’s your writing routine?

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Are you more productive in the morning? Or do you find writing late at night to be the best? Do you like to work in a busy coffee shop with lots of buzzing around you or do you need complete solitude? We all have different routines when working and sometimes it takes a while to find what works best for us.

At this stage in my life (at the ripe old age of 45.999999 . . . 😉 I find I’m more productive in the mornings. Especially at this time of year. It’s so much easier to get up early and get stuff done while it’s still quiet, and yet, the sun and light are out as well, keeping me company, so I feel energized. I get lots of work done in the mornings now. And generally do errands and other stuff in the early afternoon then more work in the late afternoon and early evening.

I used to be a night owl. I would stay up all night and work until the wee hours of the morning. Sometimes I still do that – rarely – but I find it really affects me and it takes me a day or two to bounce back and get into my regular routine.

book-coverSpeaking of routines – I recently read this awesome book called The Power of Habit by Charles Duhiig. In his book, Duhigg explains why habits exist and how they can be changed (for the better). It’s not a self-help book – he explores scientific research and cites examples of routines from corporate America to elite athletes –  but it will help you. So what does The Power of Habit have to do with our writing routines? So much! When I veer off my daily work routine, I don’t feel right. I don’t feel productive and I don’t feel “good inside”. Sticking to a positive work routine or any kind of routine or regimen keeps us focused and goal oriented. That’s important, because as writers, we constantly work on deadlines. Some of us need to have a cup of coffee in the morning or go for a walk after breakfast, or listen to some music. If it works to keep us productive and positive then it’s a good thing.

I found a great blog post from brainpickings.org that lists some famous writers talking about their writing routines. Here are a few of them:

Joan Didion: I need an hour alone before dinner, with a drink, to go over what I’ve done that day. I can’t do it late in the afternoon because I’m too close to it. Also, the drink helps. It removes me from the pages. So I spend this hour taking things out and putting other things in. Then I start the next day by redoing all of what I did the day before, following these evening notes. When I’m really working I don’t like to go out or have anybody to dinner, because then I lose the hour. If I don’t have the hour, and start the next day with just some bad pages and nowhere to go, I’m in low spirits. Another thing I need to do, when I’m near the end of the book, is sleep in the same room with it. That’s one reason I go home to Sacramento to finish things. Somehow the book doesn’t leave you when you’re asleep right next to it. In Sacramento nobody cares if I appear or not. I can just get up and start typing.

Jack Kerouac: The desk in the room, near the bed, with a good light, midnight till dawn, a drink when you get tired, preferably at home, but if you have no home, make a home out of your hotel room or motel room or pad: peace.

Simone de Beauvoir: I’m always in a hurry to get going, though in general I dislike starting the day. I first have tea and then, at about ten o’clock, I get under way and work until one. Then I see my friends and after that, at five o’clock, I go back to work and continue until nine. I have no difficulty in picking up the thread in the afternoon. When you leave, I’ll read the paper or perhaps go shopping. Most often it’s a pleasure to work.

Don DeLillo: I work in the morning at a manual typewriter. I do about four hours and then go running. This helps me shake off one world and enter another. Trees, birds, drizzle — it’s a nice kind of interlude. Then I work again, later afternoon, for two or three hours. Back into book time, which is transparent — you don’t know it’s passing. No snack food or coffee. No cigarettes — I stopped smoking a long time ago. The space is clear, the house is quiet. A writer takes earnest measures to secure his solitude and then finds endless ways to squander it. Looking out the window, reading random entries in the dictionary. To break the spell I look at a photograph of Borges, a great picture sent to me by the Irish writer Colm Tóín. The face of Borges against a dark background — Borges fierce, blind, his nostrils gaping, his skin stretched taut, his mouth amazingly vivid; his mouth looks painted; he’s like a shaman painted for visions, and the whole face has a kind of steely rapture. I’ve read Borges of course, although not nearly all of it, and I don’t know anything about the way he worked — but the photograph shows us a writer who did not waste time at the window or anywhere else. So I’ve tried to make him my guide out of lethargy and drift, into the otherworld of magic, art, and divination.

Ernest Hemingway: When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.

So what kind of work routines or habits do you have to get things done?

Have a productive day!

We’ve got plenty of productive authors here at  Lachesis Publishing.

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100_4277Joanna D’Angelo is Editor in Chief at Lachesis Publishing Inc. She loves Cinnamon Dolce Lattes, being productive, and sticking to her daily routine.

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6 Things I Learned in School That I Still Do Today, And You Should Too!

Taking as my inspiration All I Need To Know I Learned in Kindergarten here are 6 things I learned in school that still work today – especially for writers!

These are not in any particular order:

Image courtesy bestclipartblog.com

Image courtesy bestclipartblog.com

Do Your Homework: Oh, boy! Remember the times we didn’t do our homework and the teacher called on us and we had to come up with some excuse? Yikes! Luckily those were few and far between for me. I was an A-student after all. Heh. But this basic tenet applies today. If you’re a writer working on your book – do your research first, it’s as simple as that. No excuses.

Use the library: I don’t know a single writer who doesn’t love libraries! Don’t you love that library smell? It’s different than a book store. The library smell is rich with old books. Books that have been read and re-read over time and loved by many. It’s a communal experience and yet every single person has their own special connection. I love librarians too. My local library employs several Scottish and English lady librarians. I adore them. They always ask me how my work is going.

Image courtesy sonypictures.com/tv/seinfeld/

Image courtesy sonypictures.com/tv/seinfeld/

Hold your hand up if you have something to say: There are always going to be rude people out there. This especially applies to social media/networking etiquette, where some people love to hide behind anonymous online names. Most of us have by now learned the rules of “getting along” on social networking sites. Sometimes people can be rude to us and to others. The question is – what do you do when someone is being abusive? Well, you can ask them to stop. You can block them. You can also report them if they’re spewing racist or sexist garbage. To quote my favourite TV show of all time – Seinfeld – “You know we’re living in a society!” .

Sharing means caring: Share your knowledge. Share what you’ve learned. Share your humour and your good sense. Join a writing group. Attend conferences (even if they are just local ones). Set up a book club. Join online groups on facebook. Organize a group blog. You may not think that others will benefit or even care, but I guarantee you that there is at least one person who does. One aspiring writer or one reader who will appreciate what you have to offer. And where there is one, there are others.

Make time for recess: Ah, yes. This is something that as writers, we sometimes forget to do. Many writers have “day jobs” and/or small children at home or lots of other things that need getting done, so when we write, we usually get really engrossed in what we’re doing. But you have to remember to take a break. Go for a walk. Get a coffee or a cup of tea and relax and recharge. Yes, you need to get that draft done, but a 30-minute walk, or a short nap, or watching the latest episode of The Big Bang Theory doesn’t mean you’ll miss your deadline. Take a break and take a breath.

Image courtesy pixgood.com

Image courtesy pixgood.com

Have a good breakfast: Some people are not morning people. Some people don’t like to eat first thing in the morning. But it’s important to eat something within two hours of getting up. Remember when you were a kid and you skipped breakfast? You didn’t function very well in class did you? It’s always good to start the day with lots of protein and some good carbs. Guess what? Your brain needs power food to write. So think of your brain and feed it something good every morning.

 

And don’t forget to pack a lunch! 🙂

What are some things you learned in school that you still practice today?

I’m positive that Lachesis authors were all great students! Their books sure are wonderful. Until next time – happy writing.

100_4277Joanna D’Angelo is Editor in Chief at Lachesis Publishing Inc. She loves being helpful, Cinnamon Dolce Lattes, and a  good story.

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Filed under Books, Lachesis Publishing, Pitching your manuscript, writing, writing craft, writing your book

From the Editor’s Desk: 7 Dos and Don’ts of Pitching Your Manuscript

Pitching a book or a book series doesn’t have to be nerve wracking and painful. It can be fun and energizing. Last weekend I had the pleasure of attending the New England Conference of the Romance Writers of America  (May 2-3 2014). It was so much fun. I heard a lot of pitches. Some great, some not so great. Over the years, you kind of figure out what works and what doesn’t. There is a lot of good knowledge out there online as well. Take advantage of that. Do research, ask fellow writers, editors and agents about pitching. And practice your pitch in front of a mirror at home or with your spouse or a friend or fellow writer.

Image courtesy of http://thecultureur.com

Image courtesy of http://thecultureur.com

Here are 7 dos and 7 don’ts when pitching in person:

  1. Don’t tell me what your story isn’t. That sets a negative tone. Do tell me what your story is.
  2. Don’t go off on tangents, describing little details of your book or series. It bogs you down and confuses me. It also takes up important time. You don’t have much time in a verbal pitch at a conference so do use your time wisely.
  3. Don’t undermine yourself or put yourself down. Everyone is nervous. Just smile and tell me about your book.
  4. Don’t tell me your life story or your book’s life story, unless it is crucial to the pitch. We don’t have that kind of time. If we end up working together, there is plenty of time to get to know each other.
  5. Don’t jump into the plot without telling me what genre you are pitching.
  6. Don’t forget to listen. Some people are so immersed in what they want to convey that they don’t pay attention to what I’m saying, especially if I ask them a question. Pay attention.
  7. Don’t forget to do your research ahead of time. Make sure you know what kinds of books we publish at Lachesis Publishing. Visit our web site and make sure to tell me you’ve been to our site.
  1. Do begin with handshake, a smile and a greeting. I’m a friendly and open person. I know you’re nervous. I’ve been in the same position loads of times. But I’m there standing or sitting across from you and I’m smiling back. So try to relax, take a deep breath and tell me about your book.

  2. Do have business cards with your e-mail and web site address. I like getting a business card because then I can write on the back of it and it helps me remember who you are and what you pitched to me. If you have a partial with you, then certainly add your contact info to your partial. But I dig business cards.
  3. Do begin by telling me what you are pitching me. Is it a contemporary horror set in New Brunswick, or a cozy mystery set in a fictional town in New Hampshire, or a Regency historical set in England? It’s a great launching off point and it will help anchor you in your pitch.
  4. Do tell me the basic story in a few lines. When I worked in film and TV, I always had a two-three line pitch that basically summed up the plot. Why? Because you have to be ready to pitch at any time and to anyone. They don’t call them “elevator pitches” for nothing.
  5. Do tell me about the tone of your book. Do you write with a light touch or are your books dark and brooding or deep and emotional? I want to know this, because it helps me understand the book and your style.
  6. Do ask me what I’m looking for. I usually tell people who are pitching me, but it’s a good idea to be ready to ask that.
  7. Do follow up with me afterwards with a thank you. Remember, that I will give you my business card. So it’s smart to send me an e-mail and remind me of who you are what what you pitched me. And it’s also smart to ask me if you can contact me again in the future.

I hope this list has been helpful. Does anyone else have any other great dos and don’ts? There’s a lot of wisdom out there. Don’t be afraid to tap into it.

100_4277Joanna D’Angelo is Editor in Chief at Lachesis Publishing Inc. She loves Cinnamon Dolce Lattes, hearing pitches, and a good story.

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